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Origami Instructions Free Online Diagram also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.

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By this I mean that we no longer have a closed system typical of Origami in which a procedure exists to create a model and can return to the starting point. It is arguable it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well set up for Origami.

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Kent du Pre has done such Origami Instructions For Beginners work with Symmetric figures such as stars from which flowers can be folded. Irregular figures have made an appearance occasionally, however the most extreme form occurs in Paper Miracle with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course carefully related to paper slicing. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive thickness. The most recent point out of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.

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Uchiyama Youtube Video Bateau En Papier is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are filled with slitting to achieve hearing or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to provide enough points for the legs. Rohm folded his Circus pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to Avion En Papier Pliage Planeur avoid the complexities of a model achieved exclusively by folding.

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The trimming out of holes and so on. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously coping with approach which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). Typically the last step in the slitting or cutting is paper-cutting, some of the finest examples are most likely from China and evidently here we have an open-ended Art form. Supporting A way of moving

away from the 'pure' central form is supporting or adding display mechanics to the models. In its easiest form organic beef use stuff, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or credit card. Probably the most unusual form of 'display mechanics' that We am acquainted with is by Toyoaki Kawai.

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Within a corner of the Livelihood Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modelling particularly if foil has already been used and one can Bateau En Papier Maché be certain of the substance remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modeling following the folding The technique of wetting the paper appears to be Japanese in origin was demonstrated by Yoshizawa at a Convention in Luton. Another method of moist moulding using paste in the preparation is mentioned by Alice Gray the lady was shown it by Yoshizawa during a visit to Japan. The folds tend to be smooth and that we are approaching statue rather than Origami.

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Inside
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the most extreme combinations of water and paper we are, naturally , in the world of papier-mache which is plainly an open-ended art. DecoratingThe easiest step from a single colour is one side colored and one white or plain. A great package of modern Origami exploits this colour difference. A new delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be evade or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more Origami Heart Dollar restricted form of decoration occurs in Japanese papers which are already printed with a design suited to a special model. The end of this process is evidently the decoration of the last model and so into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then ribbon and finally string.

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The associated arts are Weaving cloth and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but Avion En Papier Simple usually opened at the conclusion to show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for their own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to publish techniques involving 2 separate sheets of document each folded to represent some part of the animal and then brought with each other. The idea may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have appeared for folding a monster from a number of squares of different sizes.